The latest Rolling Stone has an offensive retrospective on Madonna. Although Madonna’s iconic look is always the subject of dispute, lately, the media has treated her like a clown. The only explanation is that she’s over 50. Fifty year old women, they say, shouldn’t prance around on a stage and spread their legs. It’s unbecoming. Rolling Stone frequently participates in this mistreatment even though they’ve helped turn Madonna into an icon. Many of their pictures deliberately show her in an unflattering light. In this retrospective, they do put a handful of pictures of her in her 50s, but they fill the pages with the youthful,
Trailers for the new Fame and all the buzz about the remake’s quality have gotten my attention. The cast includes Debbie Allen, Bebe Neuwirth, Kelsey Grammer, and Charles S. Dutton. I’m hopelessly retro, though, because the original Irene Cara song, and Erica Gimple’s version are better than the generic remake. No matter how corny the old versions are, they just capture the spirit better. I already talked about Seether’s remake of Careless Whisper. The Covers Project, a pretty decent website, has a list of..well…covers. But here’s my hopelessly retro feelings on the subject. My top ten list of pointless cover songs in no particular order
1. I still play on text-based games (muds, mux, etc.). Most of the gaming world has moved onto MMORPGs. 2. My cellphone is the one they sell to senior citizens. Big digit buttons, no keyboard for texting. I don’t text, surf, or download ringtones. In fact, I don’t even keep my cellphone on. I just turn it on to call out. 3. Until my new computer this week, I didn’t have the capacity to play DVDs on my computer. 4. Until this week, I was using HTML frames instead of CSS for my website. 5. I would rather play D&D 3.5 than move to 4.0.
I can’t believe it’s been fifteen years since Liz Phair’s “Exile in Guyville.” I’ve been listening to the CD a lot lately for some reason and then FLOW posted a brief commentary on its impact fifteen years later. I really loved this album, but I didn’t find it as much of a feminist anthem as might have. But it’s fifteenth anniversary re-release reminds me that back in ’93 I was busy listening to Indigo Girls and Melissa Etheridge. There was a brief spike in popularity for women musicians in the late 90s with the Lilith Fair crew, but today the scene for me is bleak.
I read about a woman who used to be a punk rocker and now is a 44 year old mother. Boy, did I identify with that article, especially when I listen to the kid playing her music, which is music I used to listen to when I was younger. Admittedly, she has some rather eclectic tastes, but my point still stands, as evidenced by her desire to copy my Sahara Soundtrack, which contains classic rock from my high school days. The comments on the article are great. One specifically says that old punk rockers are the new old hippies. …Not that I was ever a
I just put on some eye cream because my eyes were tight and my skin absorbed it like a sponge. 🙁
On another note, turning 40 made me reflect once again on grrl stuff disappearing on the web. It’s yet another example of Gen X getting choked out by Boomers on one side of the demographic hump, and Gen Y kids on the other. True, Britney Spears is no longer popular, but that’s just because the 8 year olds of the world are now 13, and buying Pink and Avril Lavigne instead. Consequently, Third Wave feminism, which is not your mother’s feminism, is commodified (like all feminism is, I suppose) into Lara Croftism. What prompted this rant is a dead-end quest for chickclick graphics. Instead, I