10 codes for the ethics of being white in hip hop. They are old standards, but cool nonetheless.
I decided to supplement how Julia Wood’s handles race in her textbook for Gender and Comm. I’m asking the students to read Peggy MacIntosh’s article, “White Privilege.” It’s very old, but still useful. Some links: WMST-L‘s discussion list archive on the article. If you want the whole paper, you can buy it from Wellesley.
Michael Moore’s “Farenheit 9/11” was rather brilliant. Although it dragged in some parts, it impressed because of the way that Moore managed to present cinematically a potentially boring, text-centered issue. Most of what Moore shows comes from documents in the public domain for some time. He weaves these together in a dramatic blitz of information with his signature humor. Much in the film was old material, but it was touching and hilarious. We’ve all forgotten the pre-9/11 W., the man who golfed more than he presided. The most hysterical scene showed W.’s immediate reaction to 9/11. Moore also slowed down every facial expression we had
I have half the football team in my class. They greet each other with Sugarbowl-infused respect knuckles. Ten percent of the population is football players, twenty percent is black (which I believe is higher than the college population), and forty percent is male. It’s a difficult demographic for teaching a course topic in a state that denigrates black folk, valorizes football players, and barely acknowledges that women’s destiny can be something other than marriage. As Arsenio said some ten years ago, “hmmmmmm.” Well, this brings up a whole thicket of issues that I don’t know how to address: I wonder how many of them will